"My art invites the observer to feel part of the superorganism that evolves when we interact and collaborate. Love drives me to create the new here and now."

Anastasios Nyfadopoulos

     Anastasios Nyfadopoulos holds an MA in Fine Art from the University of Brighton, graduating with distinction. Ηe is a member of the Chamber of Fine Arts of Greece and has exhibited his work in Greece, Spain, United Arab Emirates and the United Kingdom. Leading international publications, including the Associated Press, The Guardian, The New York Times, Público, and Xinhua, have written about his art. In 2015, at the age of 22, Anastasios Nyfadopoulos created “Crisis”, the first public sculpture addressing the Global Financial Crisis and its consequences on humanity. This groundbreaking artwork has inspired analysis and commentary from seventeen distinguished professors across five different universities, expanding its resonance across artistic, scholarly, and public discourse. In 2018, Nyfadopoulos won the Global Arts Award from Red Line Art Works, with artists from twenty-eight countries participating. 

     Anastasios focuses on humanity, how it is shaped, how it may change and evolve. With the healing process of collective trauma being the overarching theme in his work, he interconnects performance, poems and sculpture. His material research explores basalt fiber, carbon fiber, mycelium and plant-based resin. 

Selected Exhibitions

March 2023: FEDA exhibition,
Park Regis Kris Kin, Dubai, United Arab Emirates

July 2022: MA Fine Art Final show, University of Brighton, Brighton, United Kingdom

July 2022: MA Fine Art Final show, University of Brighton, Brighton, United Kingdom

May 2021: Group Exhibition “MyheArt” Greek French Association, Athens, Greece

March 2020: Group Exhibition “Retrospectiva” Time of Art Gallery, Kifissia, Greece

November 2019: Group Exhibition “Exposing Violence” Institute of Fine Arts Tsichritzi, Kifissia, Greece

May 2019: Duo Exhibition “Blue like Blue” Time of Art Gallery, Kifissia, Greece

December 2018: Group Exhibition “Mesogeios” Municipal Art Gallery of Piraeus, Piraeus, Greece

November 2018: Group Exhibition of the Chamber of Fine Arts of Greece Byzantine Museum of Athens, Greece

October 2018: Group Exhibition “Scenes from the past and the future” Time of Art Gallery, Kifissia, Greece

June 2018: Art Athina 2018, Artzone 42 Gallery, Greece

June 2017: “Refuge: in search of safety” Fringe Arts Bath Festival 2017 (Juried), Bath, United Kingdom

December 2017: Group Exhibition “Regard” by Feral Horses, London, United Kingdom

December 2016: Solo Exhibition “Blue. It is not from around here” Artower Agora Gallery, Athens, Greece

March 2023: FEDA exhibition,
Park Regis Kris Kin, Dubai, United Arab Emirates

May 2021: Group Exhibition “MyheArt” Greek French Association, Athens, Greece

November 2019: Group Exhibition “Exposing Violence” Institute of Fine Arts Tsichritzi, Kifissia, Greece

December 2018: Group Exhibition “Mesogeios” Municipal Art Gallery of Piraeus, Piraeus, Greece

November 2018: Group Exhibition of the Chamber of Fine Arts of Greece Byzantine Museum of Athens, Greece

June 2018: Art Athina 2018, Artzone 42 Gallery, Greece

June 2017: “Refuge: in search of safety” Fringe Arts Bath Festival 2017 (Juried), Bath, United Kingdom

December 2017: Group Exhibition “Regard” by Feral Horses, London, United Kingdom

December 2016: Solo Exhibition “Blue. It is not from around here” Artower Agora Gallery, Athens, Greece

Awards

2016 Special Focus Project Curiosities Award,
MAPEI SA, Italy

2018 Global Arts Awards,
Red Line Art Works,
United Kingdom

2023 FEDA Award,
United Arab Emirates

Artist Statement

We shape one another. Aliens or not, we are inseparable parts of a greater whole. My personal journey, at times distinct from yours, and at other times deeply familiar, reflects the victories and struggles of countless others. Amid Europe’s cascading crises, I stood with thousands in Greece and the United Kingdom, protesting austerity, racism, and injustice. In 2012, I endured police brutality so severe that I had to be carried away by two officers. Yet, as my lived experience deepens, so does my practice. With high risk comes strong impact.

From graffiti under the streetlight to sculpture in the spotlight, the public artwork Crisis emerged in 2015, as a landmark piece that speaks truth to power. As the first public sculpture to address the consequences of the Global Financial Crisis, its distinct focus and visual language draw attention. Yet while difference catches the eye, it is our shared vision that binds us. Crisis casts light on global social and economic turmoil, sparking dialogue among artists, economists, journalists, scholars, and the wider public.

I search for truths that transcend borders and speak to our shared future. In 2017, while living among monks and nuns in Thai monasteries, I embraced mindfulness as a way to nourish my heart, widen my mind, and deepen my creative process. Practicing awareness through simple acts, such as walking, standing, sitting, and lying down, sharpened my sensitivity to the present moment. Meditating on loving kindness opened more space for compassion, both inward and outward.

By embodying the principles of interconnectedness and impermanence in the themes I explore, the materials I choose, and the methods I use, my practice investigates how humanity is shaped, how it changes, and how it might evolve. By reflecting on change, I invite others to see that even when a situation feels permanent, our response to it can shift. Through the presence of interconnection, I hope to inspire a more inclusive awareness, a recognition that we are part of a living whole, a superorganism that grows and blooms when we freely engage and create together.

While exploring today’s liminality, I seek to understand the interconnected roots of climate change, armed conflict, and economic instability. I research healing processes, drawing from Lévi-Strauss’s view of myth as a path to restoration and Aristotle’s concept of catharsis. Through the creation of works grounded in my lived experience, I aim to transform collective trauma into wonder, speaking directly to the urgency of the present moment.

Anastasios Nyfadopoulos

Athens, Greece

13 June 2025